Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden's 'Mumuki (Arr. for Violin & String Orchestra by Ken Selden)' came out on April 26, 2024. Since Mumuki (Arr. for Violin & String Orchestra by Ken Selden) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Piazzolla: Arrangements for Violin & String Orchestra". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Mumuki (Arr. for Violin & String Orchestra by Ken Selden)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mumuki (Arr. for Violin & String Orchestra by Ken Selden) by Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden having a テンポ of 141 with a half-time of 70 テンポ and a double-time of 282 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Seaside | Carrie Baynes | E♭ Major | 2 | 5B | 66 BPM | ||
二つの悲しき旋律: 第2曲: 過ぎし春 | Edvard Grieg, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
3 Zweistimmige Lieder, Op. 43/1: I. Wenn ich ein Vöglein wär | Robert Schumann, Barbican Quartet | N/A | N/A | N/A | 0 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Ocean Sunfish | Ensemble Offspring | E Minor | 0 | 9A | 61 BPM | ||
Bartók: Romanian Folk Dances, Sz. 56: No. 1, Stick Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
世界名曲:泰綺思 | 蔡榮吉, 李淑雲, 吳爾笠 | D Major | 2 | 10B | 99 BPM | ||
Eternal Paradox | AKIRA HONDA | A Minor | 1 | 8A | 92 BPM | ||
How Fair This Spot, Op. 21 No. 7 (Transcribed for cello and piano) | Dmitri Shostakovich, Boris Andrianov, Rem Urasin | A♭ Major | 1 | 4B | 107 BPM |