Antonio Vivaldi, Catherine Bott, New London Consort, Philip Pickett made "Cantata: "Vengo a voi luci adorate", RV 682: 2. Portando in sen l'ardor" available on September 20, 1992. With this song being about 5 minutes long, at 4:48, "Cantata: "Vengo a voi luci adorate", RV 682: 2. Portando in sen l'ardor" by Antonio Vivaldi, Catherine Bott, New London Consort, Philip Pickett is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi: Concertos and Cantatas by Antonio Vivaldi, Catherine Bott, Tom Finucane, New London Consort, Philip Pickett. The song's track number on the album is #15 out of 21 tracks. In terms of popularity, Cantata: "Vengo a voi luci adorate", RV 682: 2. Portando in sen l'ardor is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Cantata: "Vengo a voi luci adorate", RV 682: 2. Portando in sen l'ardor by Antonio Vivaldi, Catherine Bott, New London Consort, Philip Pickett has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cantata: "Vengo a voi luci adorate", RV 682: 2. Portando in sen l'ardor being at 107 テンポ, the half-time would be 54 テンポ with a double-time of 214 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Souvenir de Florence, Op. 70 | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Borodin Quartet, Genrikh Talalyan | D Minor | 3 | 7A | 136 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | E Major | 0 | 12B | 87 BPM | ||
Sonata For Piano And Violin In E Minor, K.304: 1. Allegro | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 2 | 9A | 86 BPM | ||
Nocturne No.2 in E flat major, Op.9 No.2 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 0 | 6B | 129 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM |