"Debussy: Sonata for Violin and Piano in G Minor, L140: Finale: Très animè" by Claude Debussy, Augustin Hadelich, Robert Kulek was released on February 8, 2011. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 15 in Echoes of Paris by Augustin Hadelich, Robert Kulek. In terms of popularity, Debussy: Sonata for Violin and Piano in G Minor, L140: Finale: Très animè is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Sonata for Violin and Piano in G Minor, L140: Finale: Très animè by Claude Debussy, Augustin Hadelich, Robert Kulek is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Berliner Philharmoniker | D Major | 0 | 10B | 95 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
Cello Concerto in E Minor, RV 409: II. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | E Minor | 2 | 9A | 145 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | G Major | 1 | 9B | 79 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Mozart / Arr. Grieg for Two Pianos: Piano Sonata No. 16 in C Major, K. 545 "Semplice": I. Allegro (Live) | Wolfgang Amadeus Mozart, Martha Argerich, Piotr Anderszewski | D Minor | 0 | 7A | 121 BPM | ||
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM |