"Caesar and Cleopatra Suite: I. Main Titles" by Georges Auric, Rumon Gamba, BBC Philharmonic Orchestra was released on September 1, 1999. With Caesar and Cleopatra Suite: I. Main Titles being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "The Film Music of Georges Auric". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Caesar and Cleopatra Suite: I. Main Titles's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Caesar and Cleopatra Suite: I. Main Titles by Georges Auric, Rumon Gamba, BBC Philharmonic Orchestra having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio Variation (From Adagio in G Minor, Arr. for Violin and Piano by Svetoslav Karparov) | Tomaso Albinoni, Remo Giazotto, Gabriele Bagnati, Esther Abrami | G Major | 1 | 9B | 119 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
La Belle et la Bete (Beauty and the Beast): Dans la chambre a coucher (In the bedroom) | Georges Auric, Moscow Symphony Orchestra, Adriano | D Minor | 0 | 7A | 169 BPM | ||
Gymnopedie No. 1 (Arr. for Harp) | Erik Satie, Ellen Bødtker | G Major | 0 | 9B | 85 BPM | ||
D Flat Major Nocturne | Rosey Chan | D♭ Major | 1 | 3B | 95 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Schumann Variation (on a Theme from Piano Concerto in A Minor, Op. 54: I) | Florian Christl, Robert Schumann | C Major | 1 | 8B | 112 BPM |