"Pictures at an Exhibition: Con mortuis in lingua mortua. Andante non troppo, con lamento" by Modest Mussorgsky, Ivo Pogorelich was released on January 1, 1997. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ivo Pogorelich's "Mussorgsky: Pictures at an Exhibition / Ravel: Valses nobles" album is number 14 out of 24. On top of that, Germany appears to be the country where this track was created. Pictures at an Exhibition: Con mortuis in lingua mortua. Andante non troppo, con lamento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition: Con mortuis in lingua mortua. Andante non troppo, con lamento by Modest Mussorgsky, Ivo Pogorelich to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 2 in G-Sharp Minor, Op. 19, "Sonata-Fantasy": I. Andante | Alexander Scriabin, Maria Lettberg | E Major | 0 | 12B | 67 BPM | ||
Piano Sonata No. 3 in F Minor, Op. 5: I. Allegro maestoso | Johannes Brahms, Evgeny Kissin | D♭ Major | 0 | 3B | 133 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
16 German Dances, D. 783: No. 10 in A Minor | Franz Schubert, Piers Lane | D Major | 0 | 10B | 77 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Nocturne No.5 in B Flat Major, Op.37 | Gabriel Fauré, Pascal Rogé | B♭ Major | 1 | 6B | 91 BPM | ||
Variations On A Theme By Chopin: Variation 11. Lento dolce e legato | Federico Mompou, Daniil Trifonov | F♯ Minor | 1 | 11A | 66 BPM | ||
Satie: Relâche, Act 1: Ouverture - Projection - Rideau | Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson | B♭ Major | 4 | 6B | 157 BPM | ||
Années de pèlerinage II, S. 161: V. Sonetto 104 del Petrarca | Franz Liszt, Lazar Berman | D♭ Major | 0 | 3B | 63 BPM | ||
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM |