"Symphonie No. 4 in F Minor, Op. 13/4: III. Andante cantabilé - Live" by Charles-Marie Widor, André van Vliet had its release date on October 4, 2016. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 21 in the song's album "Organ Concert in Marburg, Germany". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Netherlands. Symphonie No. 4 in F Minor, Op. 13/4: III. Andante cantabilé - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphonie No. 4 in F Minor, Op. 13/4: III. Andante cantabilé - Live by Charles-Marie Widor, André van Vliet having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Organ Concerto No. 2: I. Largo maestoso | Södersten, Gunno, Hans Fagius, Stockholm Immanuelskyrkans Chamber Orchestra, Peter Eriksson | C Minor | 1 | 5A | 89 BPM | ||
Sinfonie f-Moll für Orgel Nr. 5, Op. 42 Nr. 1: Toccata | Charles-Marie Widor, Hans-Dieter Karras | F Major | 2 | 7B | 108 BPM | ||
Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM | ||
Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
Incipit Of New Work | Mikko Finneman | E♭ Major | 3 | 5B | 96 BPM | ||
Bach's Memento: VI. Final: Mattheus (arr. of J.S. Bach's St. Matthew Passion, BWV 244) | Charles-Marie Widor, Jan Lehtola | C Minor | 1 | 5A | 69 BPM | ||
Organ Symphony No.6 in G Minor, Op.42 No.2: IV. Cantabile | Charles-Marie Widor, Joseph Nolan | E Major | 8 | 12B | 146 BPM | ||
Pomp and Circumstance, Op. 39: March No. 1 in D Major | Edward Elgar, Noel Rawsthorne | D Major | 2 | 10B | 84 BPM | ||
Organ Song No. 3 | Johann Krabacher, Kirchenchor Mils bei Imst | C Major | 2 | 8B | 75 BPM | ||
Gloria in D Major, RV 589: 1. Gloria in excelsis | Antonio Vivaldi, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | D♭ Major | 3 | 3B | 128 BPM |