"Sonate pour violoncelle et piano en Ut Majeur, Op. 66: I. Très modéré" by Charles Koechlin, Alain Meunier, Anne Le Bozec was released on February 22, 2019. With this song being about 5 minutes long, at 4:32, "Sonate pour violoncelle et piano en Ut Majeur, Op. 66: I. Très modéré" by Charles Koechlin, Alain Meunier, Anne Le Bozec is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 10 in Fauré, Koechlin & Schmitt: Œuvres pour violoncelle et piano by Alain Meunier, Anne Le Bozec. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Sonate pour violoncelle et piano en Ut Majeur, Op. 66: I. Très modéré is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonate pour violoncelle et piano en Ut Majeur, Op. 66: I. Très modéré by Charles Koechlin, Alain Meunier, Anne Le Bozec is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Moon on the Ruined Castle (Arr. Cello & Piano) | Taki Rentarou, Lynn Harrell, Bruno Canino | C Minor | 0 | 5A | 84 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Carmen (arr. N. Mercz): Intermezzo from the Opera "Carmen" | Nora Mercz, Georges Bizet, Janos Balint | E♭ Major | 0 | 5B | 72 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: I. Russian: Allegretto | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 87 BPM | ||
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM |