"La vida breve: Act II Scene 4: Last scene: Que gracia! (Manuel, Guests, Uncle Sarvaor, Paco, Carmela, Salud, Grandmother)" by Manuel de Falla, Martha Senn, Fernando De La Mora, Cecilia Angell, William Alvarado, Claudio Muskus, Elizabeth Almenar, Elvira Torres, Maria Eglee Perez, Lisbeth Rojas, Carlos Silva, Carlos Enrique Iglesias, Jorge Luis Negrete Martinez, Hector Talavera Medina, Schola Cantorum de Caracas, Alberto Grau Cantoria, Rafael Suarez Polyphonic Choir, Simón Bolívar Symphony Orchestra Of Venezuela, Eduardo Mata was released on January 1, 1994. La vida breve: Act II Scene 4: Last scene: Que gracia! (Manuel, Guests, Uncle Sarvaor, Paco, Carmela, Salud, Grandmother) is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The song is number 14 out of 14 in Falla, M. De: Vida Breve (La) [Opera] by Manuel de Falla, Eduardo Mata. La vida breve: Act II Scene 4: Last scene: Que gracia! (Manuel, Guests, Uncle Sarvaor, Paco, Carmela, Salud, Grandmother) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La vida breve: Act II Scene 4: Last scene: Que gracia! (Manuel, Guests, Uncle Sarvaor, Paco, Carmela, Salud, Grandmother) by Manuel de Falla, Martha Senn, Fernando De La Mora, Cecilia Angell, William Alvarado, Claudio Muskus, Elizabeth Almenar, Elvira Torres, Maria Eglee Perez, Lisbeth Rojas, Carlos Silva, Carlos Enrique Iglesias, Jorge Luis Negrete Martinez, Hector Talavera Medina, Schola Cantorum de Caracas, Alberto Grau Cantoria, Rafael Suarez Polyphonic Choir, Simón Bolívar Symphony Orchestra Of Venezuela, Eduardo Mata is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 16 in B Flat Major, II. Adagio | Maria João Pires | E♭ Major | 0 | 5B | 96 BPM | ||
7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): El Pano moruno | Paul Kochanski, Manuel de Falla, Robert Koenig, Si-Qing Lu | B Minor | 1 | 10A | 119 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
El Amor Brujo: Danza del Fuego | Orquesta Sinfónica De Radio Hamburgo, Manuel de Falla, Oscar Bustonovich | G Major | 3 | 9B | 147 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM |