"チャイコフスキー: バレエ「くるみ割り人形」より「序曲」" by takmusic was released on December 1, 2021. The duration of チャイコフスキー: バレエ「くるみ割り人形」より「序曲」 is about 3 minutes long, at 3:12. Based on our data, "チャイコフスキー: バレエ「くるみ割り人形」より「序曲」" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 朝のクラシック -爽やかな目覚めのためのクラシック名曲選-, so we believe that "チャイコフスキー: バレエ「くるみ割り人形」より「序曲」" is a single. In terms of popularity, チャイコフスキー: バレエ「くるみ割り人形」より「序曲」 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of チャイコフスキー: バレエ「くるみ割り人形」より「序曲」 by takmusic is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ピエ・イエス | G. フォーレ, 池田昭子(オーボエ), 石田三和子(ピアノ) | B♭ Major | 0 | 6B | 172 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 7. Grazioso | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM | ||
交響曲 宇宙戦艦ヤマト 第三楽章 祈り アダージョ | Kentaro Haneda, 大友直人, Tokyo Symphony Orchestra, 小林沙羅 | C Major | 1 | 8B | 88 BPM | ||
Diversidad | Juan Pablo Fernández Ramos | D Major | 1 | 10B | 96 BPM | ||
ウィーンの音楽時計 〜組曲「ハーリー・ヤーノシュ」から〜 | Kazuo Yamada, Japan Philharmonic Orchestra | G Major | 1 | 9B | 85 BPM | ||
Zerline, S. 42, Airs de ballet (Excerpts): Le carnaval de Palerme | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 3 | 7B | 112 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
Folk Tune and Fiddle Dance: Fiddle Dance | Percy Fletcher, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 2 | 9B | 61 BPM | ||
Raymonda, Op. 57: Act I - Introduction - Premier tableau | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | C Minor | 0 | 5A | 76 BPM | ||
Symphony No. 3 in D Minor: II. Tempo di Menuetto. Sehr mäßig | Gustav Mahler, Minnesota Orchestra, Osmo Vänskä | D Major | 0 | 10B | 82 BPM |