On 1999, the song "Burlesque de Don Quixotte - Son attaque des moulins à vent" was released by Tafelmusik Baroque Orchestra. With Burlesque de Don Quixotte - Son attaque des moulins à vent being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Orchestral Suites (Telemann): Alster; Burlesque de Don Quixotte; La Bourse". In this album, this song's track order is #12. Based on our statistics, Burlesque de Don Quixotte - Son attaque des moulins à vent's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Burlesque de Don Quixotte - Son attaque des moulins à vent by Tafelmusik Baroque Orchestra having a テンポ of 143 with a half-time of 72 テンポ and a double-time of 286 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scarlatti, A: Clori, Dorino e Amore: Sinfonia avanti la Serenata. III. Minuet | Alessandro Scarlatti, Europa Galante, Fabio Biondi | B Major | 1 | 1B | 131 BPM | ||
Henry Purcell: "Triumphing Dance" From Dido And Aenas | Tafelmusik Baroque Orchestra | B Major | 1 | 1B | 69 BPM | ||
Coffee Cantata, BWV 211: Aria: Ei! wie schmecht der Coffee susse | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | B♭ Minor | 0 | 3A | 69 BPM | ||
Concerto in B flat for Trumpet, Violin and Strings RV 548 (ed. Malipiero): III. Allegro | Maurice André, Iona Brown, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 99 BPM | ||
Oboe Concerto In D Minor: 1. Andante e spiccato | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 144 BPM | ||
Horn Concerto No. 2 in E-Flat Major, K. 417: III. Rondo. Più allegro | Wolfgang Amadeus Mozart, Bruno Weil, Tafelmusik Baroque Orchestra | A Minor | 2 | 8A | 120 BPM | ||
L'amant anonyme: Ballet No. 1 | Joseph Bologne Chevalier de Saint-Georges, Tafelmusik Baroque Orchestra, Jeanne Lamon | D Major | 1 | 10B | 144 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: I. Largo - Grave - Vivace - Grave | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 117 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Cello Concerto No.1 in A major, L. 20: I. Andantino grazioso | Leonardo Ortensio Salvatore di Leo, Tafelmusik Baroque Orchestra, Anner Bylsma | D♭ Minor | 2 | 12A | 134 BPM |