Joseph Haydn, Max Emanuel Cenčić, Christian Bauer, Ernst Jankowitsch, Gertraud Schmid, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik's 'Die Schopfung (The Creation), Hob.XXI:2: Part II: Aria: Mit Wurd' und Hoheit angetan (In native worth and honour clad) (Uriel)' came out on January 1, 1994. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Joseph Haydn, Peter Marschik's "Haydn, F.J.: Schopfung (Die) (The Creation)" album is number 5 out of 34. On top of that, United States appears to be the country where this track was created. In terms of popularity, Die Schopfung (The Creation), Hob.XXI:2: Part II: Aria: Mit Wurd' und Hoheit angetan (In native worth and honour clad) (Uriel) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schopfung (The Creation), Hob.XXI:2: Part II: Aria: Mit Wurd' und Hoheit angetan (In native worth and honour clad) (Uriel) by Joseph Haydn, Max Emanuel Cenčić, Christian Bauer, Ernst Jankowitsch, Gertraud Schmid, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Keyboard Trio No. 25 in G Major, Hob.XV:25, "Gypsy Rondo": III. Finale: Rondo all'ongarese | Franz Joseph Haydn, Kungsbacka Piano Trio | G Major | 1 | 9B | 147 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 1: II. Andante | Muzio Clementi, Balazs Szokolay | F Major | 1 | 7B | 99 BPM | ||
The Seven Last Words of Christ, Hob.XX:2: Sonata II "Fürwahr, ich sag' es dir" (Grave e cantabile) | Franz Joseph Haydn, Cuarteto Casals | C Minor | 0 | 5A | 77 BPM | ||
Divertimento for Flute, Violin & Cello in G Major, Hob. IV:9: II. Scherzo. Allegro | Joseph Haydn, Les curiosités esthétiques, Jean-Pierre Pinet | B Major | 0 | 1B | 88 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM |