"Turangalîla-Symphony: V. Joie du sang des étoiles. Vif, passionné, avec joie" by Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget was released on February 2, 2024. Turangalîla-Symphony: V. Joie du sang des étoiles. Vif, passionné, avec joie is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The track order of this song in Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget's "Messiaen: Turangalîla-Symphony" album is number 5 out of 10. On top of that, France appears to be the country where this track was created. Turangalîla-Symphony: V. Joie du sang des étoiles. Vif, passionné, avec joie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla-Symphony: V. Joie du sang des étoiles. Vif, passionné, avec joie by Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Symphony No. 3: II | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
Saint Francois D'Assise / Deuxième Acte: Dieu te donne sa paix, ô bon Frère! (l'Ange, Frère Bernard) | Olivier Messiaen, Dawn Upshaw, Tom Krause, Hallé, Kent Nagano | A♭ Major | 1 | 4B | 178 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM | ||
Shaker Loops (version for string orchestra): A Final Shaking | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 78 BPM | ||
Lamentate: Spietato | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | E Major | 5 | 12B | 72 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
Visions Fugitives, Op. 22: 7. Pittoresco | Sergei Prokofiev, Anna Gourari | D Major | 0 | 10B | 78 BPM |