Johann Sebastian Bach, Ena Mitchell, Kathleen Ferrier, William Herbert, William Parsons, Cantata Singers, The, Jacques Orchestra, The, Thornton Lofthouse, Reginald Jacques's 'Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Aria: Jesus, all Thy loving kindness (Jesu, deine Gnadenblicke) (Soprano)' had a release date set for August 26, 2008. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Aria: Jesus, all Thy loving kindness (Jesu, deine Gnadenblicke) (Soprano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 18 in Bach, J.S.: Ascension Oratorio, Bwv 11 / Arias / Handel G.F.: Arias (Ferrier) (1949, 1952) by Kathleen Ferrier, Sir Adrian Boult, Reginald Jacques. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Aria: Jesus, all Thy loving kindness (Jesu, deine Gnadenblicke) (Soprano) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Aria: Jesus, all Thy loving kindness (Jesu, deine Gnadenblicke) (Soprano) by Johann Sebastian Bach, Ena Mitchell, Kathleen Ferrier, William Herbert, William Parsons, Cantata Singers, The, Jacques Orchestra, The, Thornton Lofthouse, Reginald Jacques is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Concerto in D Minor for Two Violins, BWV 1043: I. Vivace | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | D♭ Minor | 5 | 12A | 108 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 68 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Concerto in D Minor: II. Adagio | Alessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt | D Minor | 0 | 7A | 68 BPM |