Joan Ambrosio Dalza, Christopher Wilson's 'Tromboncini - Poi che volse la mia stella (version for lute): Poi che volse la mia stella (after Bartolomeo Tromboncino)' came out on December 2, 1999. The duration of Tromboncini - Poi che volse la mia stella (version for lute): Poi che volse la mia stella (after Bartolomeo Tromboncino) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Tromboncini - Poi che volse la mia stella (version for lute): Poi che volse la mia stella (after Bartolomeo Tromboncino)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 25 in Early Venetian Lute Music by Christopher Wilson. Based on our statistics, Tromboncini - Poi che volse la mia stella (version for lute): Poi che volse la mia stella (after Bartolomeo Tromboncino)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tromboncini - Poi che volse la mia stella (version for lute): Poi che volse la mia stella (after Bartolomeo Tromboncino) by Joan Ambrosio Dalza, Christopher Wilson is Allegro (fast, quick, and bright), since this song has a tempo of 132 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Galliard No. 2 | Anthony Holborne, Christopher Wilson | G Minor | 0 | 6A | 125 BPM | ||
Passamezzo Galliard | Thomas Robinson, Shirley Rumsey, Christopher Wilson | F Major | 1 | 7B | 91 BPM | ||
Der Judentantz | Hans Neusidler, Konrad Ragossnig | A Major | 1 | 11B | 86 BPM | ||
La Guitarre Royalle: Fanfare | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | D♭ Major | 0 | 3B | 86 BPM | ||
Libro de musica de vihuela de mano intitulado El maestro: Fantasia X | Luis de Milán, Christopher Wilson | G Minor | 1 | 6A | 108 BPM | ||
Pavana alla ferrarase (version for lute): Piva | Joan Ambrosio Dalza, Ronn McFarlane | F♯ Major | 1 | 2B | 115 BPM | ||
La Spagna: La spagna | Francesco da Milano, Christopher Wilson, Shirley Rumsey | G Minor | 2 | 6A | 102 BPM | ||
Pavan No. 11 | Anthony Holborne, Christopher Wilson | G Minor | 0 | 6A | 93 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Piva | Joan Ambrosio Dalza, London Early Music Group, James Tyler | C Major | 3 | 8B | 131 BPM |