"Brideshead Revisited: No. 8, That First Visit" by Adrian Johnston, Terry Davies, BBC Philharmonic was released on September 1, 2008. The duration of Brideshead Revisited: No. 8, That First Visit is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Brideshead Revisited: No. 8, That First Visit's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Adrian Johnston, Terry Davies, BBC Philharmonic, Chris Garrick, John Etheridge, Peter Dixon, Jonathan Scott's "Johnston: Film Music from Brideshead Revisited" album is number 8 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Brideshead Revisited: No. 8, That First Visit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Brideshead Revisited: No. 8, That First Visit by Adrian Johnston, Terry Davies, BBC Philharmonic to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Cemetery | Harry Gregson-Williams, Rupert Gregson-Williams | F♯ Minor | 2 | 11A | 170 BPM | ||
Maria, the Poet (1913) | Max Richter, BBC Philharmonic, Rumon Gamba | G Minor | 1 | 6A | 133 BPM | ||
The Villa | Joseph Vitarelli | A♭ Major | 1 | 4B | 71 BPM | ||
Arrival | Patrick Doyle | C Major | 2 | 8B | 102 BPM | ||
I LOVED YOU ONCE | Patrick Doyle, Brian May, Peter Frampton, Orchestra, Robert Ziegler | B♭ Major | 1 | 6B | 72 BPM | ||
LaBoeuf Takes Leave | Carter Burwell | F Major | 0 | 7B | 47 BPM | ||
Handwriting | Nico Muhly | E Minor | 0 | 9A | 86 BPM | ||
Apollon Musagète, K. 048: VIII. Pas de Deux | Igor Stravinsky, BBC Philharmonic, Andrew Davis | C Major | 0 | 8B | 82 BPM | ||
I Don't Feel Alone Anymore | Mychael Danna | G Major | 1 | 9B | 117 BPM | ||
Bronze Horseman Suite: VI. Waltz. Tempo di valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 0 | 10B | 109 BPM |