Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis's 'Membra Jesu nostri, BuxWV 75: VId. Ad cor: Viva cordis, voce clamo' came out on July 1, 1997. With Membra Jesu nostri, BuxWV 75: VId. Ad cor: Viva cordis, voce clamo being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 30 out of 36 in Buxtehude: Membra Jesu Nostri by Dietrich Buxtehude, Sonatori de la Gioiosa Marca. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Membra Jesu nostri, BuxWV 75: VId. Ad cor: Viva cordis, voce clamo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Membra Jesu nostri, BuxWV 75: VId. Ad cor: Viva cordis, voce clamo by Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Domine Deus | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová | A♭ Major | 2 | 4B | 121 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Dixit Dominus (Salmo 109), RV 594: III. Virgam virtutis tuae | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini, Gemma Bertagnolli, Roberta Invernizzi | D Major | 2 | 10B | 112 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Missa S. Emidio, P. 47: VIII. Qui tollis peccata mundi | Giovanni Battista Pergolesi, Orchestra Mozart, Claudio Abbado, Swiss Radio Choir, Diego Fasolis | D Major | 2 | 10B | 112 BPM | ||
Pergolesi: Confitebor tibi, Domine: I. Confitebor tibi Domine | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 3 | 1B | 138 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Trionfi Amore!" (Orfeo, Euridice, Amore, Chorus) | Christoph Willibald Gluck, Philippe Jaroussky, Amanda Forsythe, Emőke Baráth, Diego Fasolis, I Barocchisti | D♭ Major | 3 | 3B | 67 BPM | ||
La morte del cor penitente, Pt. 1: Sinfonia | Giovanni Legrenzi, Sonatori de la Gioiosa Marca | C Minor | 1 | 5A | 192 BPM | ||
Vivaldi: Giustino, RV 717, Act 1 Scene 1: No. 1a, Aria, "Viva Augusto eterno impero" (Arianna, Chorus) | Antonio Vivaldi, Marina Comparato, Dominique Labelle, Francesca Provvisionato, Geraldine McGreevy, Leonardo de Lisi, Laura Cherici, Il Complesso Barocco, Alan Curtis | C Major | 1 | 8B | 90 BPM |