Willie Mitchell made "Take Five" available on 2014. The duration of Take Five is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Take Five's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "On Top". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Take Five is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Take Five by Willie Mitchell having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Teasin' | Cornell Dupree | D♭ Minor | 9 | 12A | 93 BPM | ||
The Point | Mac Rebennack, The Soul Orchestra | F♯ Minor | 5 | 11A | 162 BPM | ||
Nubian Lady - 1972 | Yusef Lateef | B Minor | 5 | 10A | 145 BPM | ||
Morning After | The Mar-Keys | C Major | 6 | 8B | 133 BPM | ||
Underlay No.3 | Jack Trombey | B Minor | 7 | 10A | 95 BPM | ||
Serenade To A Savage | Candido | E Minor | 9 | 9A | 113 BPM | ||
Pigmy (Part One) | Billy Larkin & The Delegates | A Minor | 7 | 8A | 152 BPM | ||
Yes We Can Can | Young-Holt Unlimited | G Major | 5 | 9B | 174 BPM | ||
Dirty Old Bossa Nova | The Howard Roberts Quartet | B♭ Minor | 4 | 3A | 82 BPM | ||
(I Got A) Stomach Ache | Junior Wells | D Major | 4 | 10B | 84 BPM |