"Halffter: Cello Concerto No. 2: I. El grito deja en el viento una sombra de ciprés" by Cristóbal Halffter, Mstislav Rostropovich, Orchestre National De France was released on 1987. Halffter: Cello Concerto No. 2: I. El grito deja en el viento una sombra de ciprés appears to be safe for all ages as it is not explicit. There are a total of 4 in the song's album "Penderecki: Cello Concerto No. 2 - Halffter: Cello Concerto No. 2". In this album, this song's track order is #2. Halffter: Cello Concerto No. 2: I. El grito deja en el viento una sombra de ciprés is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Halffter: Cello Concerto No. 2: I. El grito deja en el viento una sombra de ciprés by Cristóbal Halffter, Mstislav Rostropovich, Orchestre National De France having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mythologies: I. Aurora | Eleanor Alberga, BBC Symphony Orchestra, Thomas Kemp | C Major | 1 | 8B | 62 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): XII. The Prince Despairs | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Otello, IGV 21: Acto VI: Ave Maria | Giuseppe Verdi, Melitza Torres | A♭ Major | 2 | 4B | 83 BPM | ||
Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
Espacio de silencio, String Quartet No. 7: VI. Lento - Deciso | Cristóbal Halffter, Leipziger Streichquartett | C Minor | 0 | 5A | 0 BPM | ||
Madama Butterfly, SC 74, Act I: Vogliatemi bene | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F♯ Minor | 4 | 11A | 80 BPM | ||
Valses nobles et sentimentales, M.61 - for Orchestra: 3. Modéré | Maurice Ravel, Cleveland Orchestra, Vladimir Ashkenazy | A Major | 1 | 11B | 110 BPM | ||
Espacio de silencio, String Quartet No. 7: IV. Molto rubato | Cristóbal Halffter, Leipziger Streichquartett | C Minor | 0 | 5A | 0 BPM | ||
Violin Concerto in D Minor, Op. 47: 3. Allegro, ma non tanto | Jean Sibelius, Viktoria Mullova, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 103 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice | Valery Gergiev | D♭ Minor | 1 | 12A | 69 BPM |