"To Be Sung of a Summer Night on the Water, RT IV No. 2: I. —" by Frederick Delius, The Carice Singers, George Parris had its release date on May 12, 2017. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. To Be Sung of a Summer Night on the Water, RT IV No. 2: I. —'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 20 in Delius & Bax: Choral Music by The Carice Singers, George Parris. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. To Be Sung of a Summer Night on the Water, RT IV No. 2: I. — is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of To Be Sung of a Summer Night on the Water, RT IV No. 2: I. — by Frederick Delius, The Carice Singers, George Parris is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Idylle Printemps | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | ||
Les Noces, Première partie, Premier tableau: Chez la mariée | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss | F Major | 0 | 7B | 181 BPM | ||
The Heavens' Flock | Ēriks Ešenvalds, Paulann Petersen, Portland State University Chamber Choir, Ethan Sperry | C Minor | 1 | 5A | 174 BPM | ||
Requiem aeternam (1) | Herbert Howells, Choir of St. John's College, Cambridge, Christopher Robinson | E Minor | 0 | 9A | 78 BPM | ||
7 Chansons, FP 81: No. 1. La blanche neige (The White Snow) | Francis Poulenc, Elora Festival Singers, Noel Edison | E Minor | 1 | 9A | 73 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Caprice and Elegy: I. Caprice | Frederick Delius, Raphael Wallfisch, John York | D♭ Major | 0 | 3B | 85 BPM | ||
Myrthen, Op. 25: No. 7. Die Lotosblume | Robert Schumann, Margaret Price, James Lockhart | D Major | 1 | 10B | 93 BPM |