Vieux Gaultier, Hopkinson Smith's 'Suite in F-Flat Minor: II. Allemande' came out on 2000. With this song being about 5 minutes long, at 4:50, "Suite in F-Flat Minor: II. Allemande" by Vieux Gaultier, Hopkinson Smith is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vieux Gaultier: Pièces de luth by Vieux Gaultier, Hopkinson Smith. The song's track number on the album is #9 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Suite in F-Flat Minor: II. Allemande's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite in F-Flat Minor: II. Allemande by Vieux Gaultier, Hopkinson Smith has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite in F-Flat Minor: II. Allemande being at 127 テンポ, the half-time would be 64 テンポ with a double-time of 254 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor: III. Sarabanda | Esaias Reusner, Lutz Kirchhof | D♭ Minor | 0 | 12A | 83 BPM | ||
Ballo milanese | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | A Major | 0 | 11B | 174 BPM | ||
Fantasía II | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 92 BPM | ||
Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: IV. Grave | Dietrich Buxtehude, La Rêveuse, Benjamin Perrot, Sébastien Wonner, Florence Bolton | D Major | 1 | 10B | 113 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: IX. Gigue | Dietrich Becker, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | F Minor | 3 | 4A | 81 BPM | ||
Suite in A Major: V. Sarabande | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Pièces à deux violes du Premier Livre: Chaconne en sol majeur (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | F♯ Major | 1 | 2B | 128 BPM | ||
Cancion del primer tono (after a Canzon by Nicolaus Gombert) | Luis de Narváez, Lutz Kirchhof | D Minor | 0 | 7A | 91 BPM | ||
Suite in G Minor, BWV 1008: II. Allemande | Johann Sebastian Bach, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Concertina Etude in B-Flat Major (Transcr. D. Starobin) | Giulio Regondi, David Starobin | A Major | 1 | 11B | 76 BPM |