"Six Songs, Op. 36:1 Svarta rosor (Black Roses)" by Birgit Nilsson, Janos Solyom was released on July 5, 2011. With Six Songs, Op. 36:1 Svarta rosor (Black Roses) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 35 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. The popularity of Six Songs, Op. 36:1 Svarta rosor (Black Roses) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Six Songs, Op. 36:1 Svarta rosor (Black Roses) by Birgit Nilsson, Janos Solyom is Vivace (lively and fast), since this song has a tempo of 174 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Verdi: Aïda, Act 3: Aria, "O patria mia" (Aida) | Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 0 | 7B | 74 BPM | ||
Tosca / Act 2: "Vittoria! Vittoria!" | Giacomo Puccini, Franco Corelli, Birgit Nilsson, Dietrich Fischer-Dieskau, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | A Major | 3 | 11B | 176 BPM | ||
Die Frau ohne Schatten, Op.65, TrV 234 / Act 3: Nun will ich jubeln - Live | Richard Strauss, Walter Berry, James King, Leonie Rysanek, Birgit Nilsson, Sally Arneson, Marjorie Vance, Sylvia Herman, Milkana Nikolova, Gertrude Jahn, Margaretha Hintermeier, Vienna State Opera Orchestra, Karl Böhm | C Minor | 5 | 5A | 84 BPM | ||
12 Songs, Op. 33: 2. Våren | Edvard Grieg, Birgit Nilsson, Wiener Opernorchester, Bertil Bokstedt | F♯ Major | 2 | 2B | 89 BPM | ||
Verdi: Aida, Act 3: "Ma dimmi, per qual via … Di Nápata le gole! … Traditor!" (Aida, Radames, Amonasro, Amneris, Ramfis) | Giuseppe Verdi, Birgit Nilsson, Franco Corelli, Mario Sereni, Grace Bumbry, Bonaldo Giaiotti, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma | C Minor | 1 | 5A | 72 BPM | ||
Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus) | Richard Wagner, Daniel Barenboim, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Roman Trekel, Staatskapelle Berlin | F Major | 1 | 7B | 81 BPM | ||
Götterdämmerung, WWV 86D / Act II: Gegrüsst sei, teurer Held! - Remastered 2022 | Richard Wagner, Dietrich Fischer-Dieskau, Wolfgang Windgassen, Birgit Nilsson, Gottlob Frick, Chor der Wiener Staatsoper, Wiener Philharmoniker, Sir Georg Solti | G Major | 5 | 9B | 128 BPM | ||
Madama Butterfly / Act 2: E Izaghi ed Izanami, Sarundasico e Kami | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 169 BPM | ||
Seven Songs of Runeberg, Op 13:4 Våren Flyktar Hastigt (Spring Flies Fast) | Birgit Nilsson, Geoffrey Parsons | F Major | 1 | 7B | 87 BPM | ||
Puccini: Turandot, Act 3 Scene 1: "Che è mai di me? Perduta!" (Turandot, Calaf, Voci lontane) | Giacomo Puccini, Birgit Nilsson, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | E Minor | 1 | 9A | 67 BPM |