"Holde Aida (Aida)" by Leo Slezak was released on August 28, 2006. With this song being about 5 minutes long, at 4:31, "Holde Aida (Aida)" by Leo Slezak is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leo Slezak's "Lebendige Vergangenheit - Leo Slezak (Vol.2)" album is number 19 out of 25. Based on our statistics, Holde Aida (Aida)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Holde Aida (Aida) by Leo Slezak to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 2, Im Anfange schuf Gott Himmel und Erde | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Tareq Nazmi, MDR Leipzig Radio Choir, Benjamin Bruns | B♭ Major | 3 | 6B | 117 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Chanson. "Si je bois un peu, beaucoup" (Alfred, Caroline) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Petite messe solennelle: VI. Gloria. Gratias | Gioachino Rossini, Giulio Prandi, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti | A Minor | 0 | 8A | 144 BPM | ||
Cavalleria rusticana: Part II: A voi tutti salute! (Alfio, Chorus, Turiddu, Lola, Women) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 1 | 8B | 61 BPM | ||
Mercè, dilette amiche | Tamara Radjenovic, Makris Symphony Orchestra & Choir | A Minor | 3 | 8A | 112 BPM | ||
Da streiten sich die Leut` herum (Der Verschwender) | Leo Slezak | F Major | 1 | 7B | 77 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
La courte paille, FP 178: No. 7, Lune d’Avril | Francis Poulenc, Hanna-Elisabeth Müller, Juliane Ruf | C Minor | 0 | 5A | 68 BPM | ||
Don Pasquale, Act I: Quel guardo il cavaliere | Ava Dodd, Gaetano Donizetti, RTÉ Concert Orchestra, Andrew Synnott | A♭ Major | 2 | 4B | 87 BPM | ||
Wenn der Freude Tränen fliess (Die Entführung aus dem Serail) | Leo Slezak | B♭ Major | 1 | 6B | 166 BPM |