"24 Preludes and Fugues, Op. 87: Prelude No. 3 in G Major: Moderato non troppo" by Dmitri Shostakovich, Konstantin Scherbakov was released on November 30, 2000. With 24 Preludes and Fugues, Op. 87: Prelude No. 3 in G Major: Moderato non troppo being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Shostakovich: 24 Preludes and Fugues, Op. 87". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. 24 Preludes and Fugues, Op. 87: Prelude No. 3 in G Major: Moderato non troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Preludes and Fugues, Op. 87: Prelude No. 3 in G Major: Moderato non troppo by Dmitri Shostakovich, Konstantin Scherbakov having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in A Major, Op. 98, B. 184, "American": I. Moderato | Antonín Dvořák, Stefan Veselka | A Major | 0 | 11B | 73 BPM | ||
Poulenc: Sonata for Piano 4-Hands, FP 8: I. Prelude | Francis Poulenc, Emmanuel Strosser, Alexandre Tharaud | A♭ Major | 1 | 4B | 109 BPM | ||
Piano Sonata No. 3 in A Minor, Op. 28 | Sergei Prokofiev, Matti Raekallio | C Major | 2 | 8B | 85 BPM | ||
Ma mère l'oye, M.60 - For Piano Duet, M.60: 1. Pavane de la Belle au bois dormant | Maurice Ravel, Pascal Rogé, Denise Francoise Roge | C Major | 0 | 8B | 115 BPM | ||
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | F Major | 1 | 7B | 127 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): V. Waltz - Scherzo/ Valse-plaisanterie | Lev Atovmyan, Dmitri Shostakovich, Vancouver Symphony Orchestra, Bramwell Tovey | F♯ Major | 3 | 2B | 112 BPM | ||
Concerto for 2 Pianos, FP 61: III. Finale: Allegro molto | Francis Poulenc, Leonard Bernstein, New York Philharmonic | B Minor | 3 | 10A | 100 BPM | ||
Symphonic Etudes, Op. 13: Thema. Andante | Robert Schumann, Murray Perahia | C Major | 3 | 8B | 77 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act 1 "The Spell": No. 6, Waltz (Arr. Rachmaninov for Piano 4-Hands) | Pyotr Ilyich Tchaikovsky, Alexandre Tharaud, Alexander Melnikov | D Minor | 1 | 7A | 90 BPM | ||
Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): I. Allegretto | Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky | C Major | 1 | 8B | 88 BPM |