"Ave Maria: arr. from Bach's Prelude No.1 BWV 846" by Charles Gounod, Cecilia Bartoli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Cinzia Maurizio was released on January 1, 1998. The duration of Ave Maria: arr. from Bach's Prelude No.1 BWV 846 is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Ave Maria: arr. from Bach's Prelude No.1 BWV 846's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Voices from Heaven by Cecilia Bartoli, Andrea Bocelli, Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Coro dell'Accademia Nazionale Di Santa Cecilia. The song's track number on the album is #9 out of 15 tracks. In terms of popularity, Ave Maria: arr. from Bach's Prelude No.1 BWV 846 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Ave Maria: arr. from Bach's Prelude No.1 BWV 846 by Charles Gounod, Cecilia Bartoli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Cinzia Maurizio has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Ave Maria: arr. from Bach's Prelude No.1 BWV 846 being at 97 テンポ, the half-time would be 48 テンポ with a double-time of 194 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herz und Mund und Tat und Leben, Cantata BWV 147 - Arr. Chris Hazell: 10. Jesu bleibet meine Freude | Johann Sebastian Bach, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs | G Major | 1 | 9B | 80 BPM | ||
Torna a Surriento | Ernesto de Curtis, Luciano Pavarotti, Emerson Buckley, Symphony Orchestra Of Emilia Romagna "Arturo Toscanini" | E Minor | 1 | 9A | 96 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
Sleigh Ride | Gary Barlow | D Major | 4 | 10B | 77 BPM | ||
The Nutcracker, Op. 71, TH.14 / Act 2: No. 12b Coffee (Arabian Dance) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | G Minor | 0 | 6A | 98 BPM | ||
Madama Butterfly / Act II: "Un bel dì vedremo" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Cantata per la Notte del SS.mo Natale: "All'arme si accesi guerrieri" (Aria dell Pace) | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 5 | 3B | 121 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Choir of King's College, Cambridge, James Vivian, Stephen Cleobury | D Major | 1 | 10B | 99 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM |