Itzhak Perlman, Pinchas Zukerman's ' "3 Violin Duets (1996 Digital Remaster): III. Waltzes" was released on its scheduled release date, 1996. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. 3 Violin Duets (1996 Digital Remaster): III. Waltzes's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Works for Two Violins by Itzhak Perlman. The song's track number on the album is #48 out of 52 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, 3 Violin Duets (1996 Digital Remaster): III. Waltzes is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since 3 Violin Duets (1996 Digital Remaster): III. Waltzes by Itzhak Perlman, Pinchas Zukerman has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 3 Violin Duets (1996 Digital Remaster): III. Waltzes being at 99 テンポ, the half-time would be 50 テンポ with a double-time of 198 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 79 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Scent of a Woman: Tango (Por Una Cabeza) | Carlos Gardel, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Minor | 1 | 6A | 118 BPM | ||
Bériot: Scène de ballet, Op. 100 | Charles-Auguste de Bériot, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Major | 2 | 11B | 102 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Lalo: Symphonie espagnole, Op. 21: IV. Andante | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | D Major | 1 | 10B | 96 BPM | ||
Sonata For Violin And Piano In A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | César Franck, Itzhak Perlman, Vladimir Ashkenazy | D Major | 1 | 10B | 99 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Adagio | Henri Vieuxtemps, Sarah Chang, Philharmonia Orchestra, Charles Dutoit | A Major | 1 | 11B | 91 BPM |