"Karelia, JS 115, Tableau 3 "Narimont, the Duke of Lithuania, Levying Taxes in the Province of Kakisalmi": Intermezzo I" by Jean Sibelius, Sinfonia Lahti, Osmo Vänskä was released on October 31, 1997. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Sibelius: Karelia / Kuolema / Valse Triste". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Karelia, JS 115, Tableau 3 "Narimont, the Duke of Lithuania, Levying Taxes in the Province of Kakisalmi": Intermezzo I is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Karelia, JS 115, Tableau 3 "Narimont, the Duke of Lithuania, Levying Taxes in the Province of Kakisalmi": Intermezzo I by Jean Sibelius, Sinfonia Lahti, Osmo Vänskä having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gustav Adolf II, Op. 49: Elegy | Hugo Alfvén, Helsingborg Symphony Orchestra, Okko Kamu | F♯ Major | 0 | 2B | 60 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
Capriol Suite: 4. Bransles | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 2 | 9B | 156 BPM | ||
Overture Candide | Leonard Bernstein, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 4 | 5B | 159 BPM | ||
Swedish Rhapsody No. 1, Op. 19 'Midsummer Vigil' | Hugo Alfvén, Bournemouth Symphony Orchestra, Paavo Berglund | D Major | 2 | 10B | 101 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Fucik : Entry of the Gladiators Op.68 | Julius Fučík, Václav Neumann, Czech Philharmonic Orchestra | C Major | 6 | 8B | 121 BPM | ||
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 97 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohème | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 1 | 12B | 136 BPM |