Doris Day, Les Brown & His Orchestra made "Come to Baby, Do!" available on May 5, 2023. The duration of Come to Baby, Do! is about 3 minutes long, at 3:05. Based on our data, "Come to Baby, Do!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 42 in the song's album "The Complete Okeh & Columbia Recordings 1940-1946". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United States. Based on our statistics, Come to Baby, Do!'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Come to Baby, Do! by Doris Day, Les Brown & His Orchestra having a テンポ of 130 with a half-time of 65 テンポ and a double-time of 260 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mr. Five By Five | Ella Mae Morse | E Minor | 2 | 9A | 128 BPM | ||
St. Louis Blues | Benny Goodman Sextet | G Major | 2 | 9B | 77 BPM | ||
Coleslaw | Louis Jordan & His Tympany Five | B♭ Major | 3 | 6B | 134 BPM | ||
Celery Stalks At Midnight | Doris Day, Les Brown & His Orchestra | D♭ Major | 2 | 3B | 143 BPM | ||
Organ Grinder's Swing | Ella Fitzgerald and Her Savoy Eight | D Major | 2 | 10B | 161 BPM | ||
That's Rhythm | Rex Stewart | B Major | 10 | 1B | 160 BPM | ||
You're Getting to Be a Habit with Me | Doris Day | C Major | 0 | 8B | 76 BPM | ||
Bye Bye Baby | Bob Crosby | A♭ Major | 3 | 4B | 175 BPM | ||
Serenade In Blue | Members Of The Glenn Miller Orchestra | A♭ Major | 1 | 4B | 75 BPM | ||
There'll Be Some Changes Made | Bunny Berigan | G Minor | 6 | 6A | 113 BPM |