Élisabeth Jacquet de La Guerre, La Rêveuse, Benjamin Perrot's 'Suonata 2da a violino solo e viola di gamba obligata con organo: V. Gavotte (Allegro)' came out on May 18, 2010. With Suonata 2da a violino solo e viola di gamba obligata con organo: V. Gavotte (Allegro) being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Élisabeth Jacquet de La Guerre: Sonates pour violon; viole obligée et basse-continue, so we believe that "Suonata 2da a violino solo e viola di gamba obligata con organo: V. Gavotte (Allegro)" is a single. In terms of popularity, Suonata 2da a violino solo e viola di gamba obligata con organo: V. Gavotte (Allegro) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suonata 2da a violino solo e viola di gamba obligata con organo: V. Gavotte (Allegro) by Élisabeth Jacquet de La Guerre, La Rêveuse, Benjamin Perrot is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in D minor, Op.1 no.2: 1st movement: Grave | Francesco Geminiani, Bell'Arte Antiqua | D♭ Minor | 1 | 12A | 87 BPM | ||
Suite in A Minor: VI. Menuet de Poitou et son Double | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 118 BPM | ||
Sinfonie et gagliarde, Libro 1: Sinfonia 11 "in Eco" | Salomone Rossi, Dorothee Oberlinger, Dmitry Sinkovsky | D Minor | 0 | 7A | 127 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Chamber Sonata No. 1 in B-Flat Major: IV. Allegro e presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | E Major | 2 | 12B | 118 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto | James Oswald, Rezonance Baroque Ensemble | F♯ Major | 2 | 2B | 82 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian Bach | A Minor | 4 | 8A | 109 BPM |