"Patterns in a Chromatic Field" by Morton Feldman, Marilyn Nonken, Stephen Marotto was released on April 19, 2024. Since Patterns in a Chromatic Field is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Morton Feldman, Stephen Marotto, Marilyn Nonken's "Morton Feldman: Complete Music for Cello & Piano" album is number 17 out of 24. On top of that, United States appears to be the country where this track was created. The popularity of Patterns in a Chromatic Field is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Patterns in a Chromatic Field by Morton Feldman, Marilyn Nonken, Stephen Marotto to be Vivace (lively and fast) because the track has a tempo of 164 テンポ, a half-time of 82テンポ, and a double-time of 328 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata For Flute, Viola And Harp, L. 137: 1. Pastorale | Claude Debussy, Kim Kashkashian, Sivan Magen, Marina Piccinini | F Major | 0 | 7B | 113 BPM | ||
Greater Antiphons: I. O Wisdom | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Major | 0 | 10B | 110 BPM | ||
Cadenza on the Night Plain: Where Was Wisdom When We Went West? | Terry Riley, Kronos Quartet | G Major | 1 | 9B | 91 BPM | ||
Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
Six Encores: Erdenklavier | Luciano Berio, Andrea Lucchesini | C Minor | 0 | 5A | 175 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
Ró | Anna Thorvaldsdottir, Caput Ensemble, Guðni Franzson | F Major | 0 | 7B | 153 BPM | ||
Punctum | Caroline Shaw, Attacca Quartet | D Major | 0 | 10B | 130 BPM | ||
Forgotten Dreams #4 | Ernst Reijseger | G Major | 1 | 9B | 123 BPM | ||
Minipulsars, Pt. 2: Bing 4 | Tomasz Trzcinski | D Minor | 3 | 7A | 82 BPM |