カール・ベーム, ウィーンフィルハーモニー管弦楽団, ウィーン国立歌劇場合唱団's 'レクイエム' came out on October 21, 2020. With this song being about 5 minutes long, at 5:12, "レクイエム" by カール・ベーム, ウィーンフィルハーモニー管弦楽団, ウィーン国立歌劇場合唱団 is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in モーツァルト 〜レクイエム〜, so we believe that "レクイエム" is a single. In terms of popularity, レクイエム is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of レクイエム by カール・ベーム, ウィーンフィルハーモニー管弦楽団, ウィーン国立歌劇場合唱団 is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Medea (Medee) (Sung in Italian): Act II: Introduction | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | F Major | 1 | 7B | 80 BPM | ||
Serenade in E Major, Op. 23, No. 6, G. 150: VIII. Presto assai | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 90 BPM | ||
Misatango, Misa a Buenos Aires: IX. Et resurexit | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 203 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
A Fugal Concerto, Op. 40: I. Moderato | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Thema und Variationen concertante B-dur op.33 (Arie der Mechthilde aus SILVANA J 87 · Romatische Oper in 3 Akten) bearbeitet für Klarinette und Orchester: - Thema | Carl Maria von Weber, Sabine Meyer, Franz Welser-Moest, Franz Welser-Möst, Orchester der Oper Zürich | B♭ Major | 0 | 6B | 71 BPM | ||
Die Schöpfung, Hob XXI:2, Part II: Die Schöpfung, Hob XXI:2, Part II: No. 26, Vollendet ist das große Werk | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg, Benjamin Bruns, Tareq Nazmi, MDR Leipzig Radio Choir | B♭ Major | 1 | 6B | 116 BPM | ||
L'italiana in Algeri: Atto I. Duetto. Ai capricci della sorte | Gioachino Rossini, Vasilisa Berzhanskaya, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | A♭ Major | 2 | 4B | 98 BPM | ||
Sinfonia concertante in E-Flat Major, W. C41: II. Larghetto | Johann Christian Bach, Andras Horn, Nandor Gotz, Jeno Kevehazi, Lehel Ronai, Aladar Tuske, Budapest Strings, Karoly Botvay | C Major | 1 | 8B | 135 BPM | ||
Wybór z Aktu I: Uwertura | Lenka Cafourkova, Natalia Rubiś-Krzeszowiak, Krystian Adam, Vaclav Cizek, Jan Martinik, Tomas Kral, Collegium vocale 1704, Collegium 1704, Vaclav Luks | D Major | 2 | 10B | 95 BPM |