"Requiem, Op. 9: Lux aeterna" by Maurice Duruflé, Randi Stene, Bo Skovhus, Henrik Brendstrup, Kristian Krogsøe, Aarhus Cathedral Choir, Vocal Group Concert Clemens, Carsten Seyer-Hansen was released on September 1, 2012. The duration of Requiem, Op. 9: Lux aeterna is about 3 minutes long, at 3:24. Based on our data, "Requiem, Op. 9: Lux aeterna" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 26 in Durufle: Complete Organ Works, Motets, Requiem by Maurice Duruflé, Kristian Krogsøe, Carsten Seyer-Hansen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Requiem, Op. 9: Lux aeterna is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: Lux aeterna by Maurice Duruflé, Randi Stene, Bo Skovhus, Henrik Brendstrup, Kristian Krogsøe, Aarhus Cathedral Choir, Vocal Group Concert Clemens, Carsten Seyer-Hansen is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Requiem: Sanctus | Maurice Duruflé, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Daniele Rossi | D Minor | 1 | 7A | 132 BPM | ||
Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
Nuper rosarum flores | Guillaume Dufay, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 71 BPM | ||
Prélude et Fugue sur le nom d'Alain, Op. 7: I. Prélude | Maurice Duruflé, Thomas Trotter | F♯ Major | 3 | 2B | 73 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
Prelude | Maurice Duruflé, Eric Lebrun | B♭ Major | 0 | 6B | 126 BPM | ||
4 Shakespeare Songs: No. 4. Full fathom five | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | A♭ Major | 1 | 4B | 89 BPM | ||
Son of God Mass: Kyrie meditation | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | G Minor | 1 | 6A | 126 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM |