Thomas Nelson Bibles's 'Luke 15.3 & Luke 16.1 - Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament' came out on September 24, 2019. The duration of Luke 15.3 & Luke 16.1 - Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament is about 3 minutes long, at 3:07. Based on our data, "Luke 15.3 & Luke 16.1 - Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament [Holy Bible, New King James Version] by Thomas Nelson Bibles. The song's track number on the album is #125 out of 427 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Luke 15.3 & Luke 16.1 - Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Luke 15.3 & Luke 16.1 - Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament by Thomas Nelson Bibles has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Luke 15.3 & Luke 16.1 - Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament being at 140 テンポ, the half-time would be 70 テンポ with a double-time of 280 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chapter 171 - The Dream Thieves - The Raven Cycle, Book 2 | Maggie Stiefvater, Will Patton | D Major | 2 | 10B | 126 BPM | ||
Kapitel 27.2 & Kapitel 28.1 - Quantenmechanik für die Westentasche | Harald Lesch, Quot-Team | D♭ Major | 2 | 3B | 167 BPM | ||
Chapter 2.3 - Animal Farm | George Orwell | E♭ Major | 3 | 5B | 76 BPM | ||
Cinderella Page 11 | Classic Books | F Minor | 2 | 4A | 82 BPM | ||
Cinderella Page 12 | Classic Books | F Minor | 2 | 4A | 121 BPM | ||
Chapter 1 - Keep Your Friends Close | Joanne Ryan, Helen Keeley | C Major | 1 | 8B | 99 BPM | ||
Chapter 72 - The Traitor's Game - The Traitor's Game, Book 1 | Jennifer A. Nielsen, Jesse Vilinsky, Michael Curran-Dorsano | F Minor | 1 | 4A | 85 BPM | ||
Chapter 8 - Monster Blood - Classic Goosebumps 3 | R.L. Stine, Kirby Heyborne | B♭ Minor | 1 | 3A | 143 BPM | ||
Teil 36 - Sherlock Holmes: Geliebte Alba - Neues aus der Baker Street, Folge 17 | Arthur Conan Doyle, Augusta Hawthorne, Viola Gabor | G Minor | 2 | 6A | 87 BPM | ||
Chapter 34 - The Murder of Roger Ackroyd | Agatha Christie, Simon Jones | E Minor | 3 | 9A | 145 BPM |