Quincy Jones, Matt Monro's 'On Days Like These - From "The Italian Job" Soundtrack' came out on January 1, 1969. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Italian Job (Original Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, On Days Like These - From "The Italian Job" Soundtrack is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With On Days Like These - From "The Italian Job" Soundtrack by Quincy Jones, Matt Monro having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dream | The Four Aces | C Minor | 1 | 5A | 83 BPM | ||
Midnight In Moscow | Kenny Ball & His Jazzmen | F Minor | 5 | 4A | 166 BPM | ||
Love is a Many Splendored Thing | The Four Aces | D Major | 4 | 10B | 82 BPM | ||
Somethin’ Stupid | Marvin Gaye, Tammi Terrell | E Major | 5 | 12B | 107 BPM | ||
Don't Let's Be Beastly to the Germans | Noel Coward | B♭ Major | 1 | 6B | 128 BPM | ||
Harry Line (De "The Third Man") | American West Orchestra | G Major | 3 | 9B | 156 BPM | ||
April Love | Pat Boone | A♭ Major | 1 | 4B | 93 BPM | ||
Smoke Gets In Your Eyes | The Platters | E♭ Major | 3 | 5B | 171 BPM | ||
A Woman | Bobby Goldsboro | C Major | 2 | 8B | 93 BPM | ||
Mad Dogs and Englishmen | Noel Coward | C Major | 3 | 8B | 134 BPM |