"Sonate d'intavolatura di leuto, Op. 1, Sonata V: Sarabanda (Largo)" by Giovanni Zamboni, Simone Vallerotonda was released on June 10, 2016. With Sonate d'intavolatura di leuto, Op. 1, Sonata V: Sarabanda (Largo) being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zamboni: L'ultimo romano. Sonate d'intavolatura di leuto, 1718 by Giovanni Zamboni, Simone Vallerotonda. The song's track number on the album is #13 out of 28 tracks. Based on our statistics, Sonate d'intavolatura di leuto, Op. 1, Sonata V: Sarabanda (Largo)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonate d'intavolatura di leuto, Op. 1, Sonata V: Sarabanda (Largo) by Giovanni Zamboni, Simone Vallerotonda has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonate d'intavolatura di leuto, Op. 1, Sonata V: Sarabanda (Largo) being at 126 テンポ, the half-time would be 63 テンポ with a double-time of 252 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Erst Buch. Ein Newes Lautenbüchlein, 1544: Ein Gutter Venecianer Tantz, Mit Hupf Auff | Hans Neusidler, Joachim Held | B Minor | 1 | 10A | 159 BPM | ||
Der ander Theil des Lautenbuchs: Ein welscher tantz Wascha mesa | Hans Neusidler, Ronn McFarlane | D♭ Minor | 2 | 12A | 161 BPM | ||
Lute Sonata , Op. 1, No. 2: IV. Giga | Giovanni Zamboni, Luciano Còntini | E♭ Major | 2 | 5B | 103 BPM | ||
Haulberroys (Attaignant) | Edward Martin | G Minor | 1 | 6A | 82 BPM | ||
Canción del Emperador (Mille Regres) | Luis de Narváez, Juan Carlos Rivera | G Minor | 0 | 6A | 61 BPM | ||
Preludio Primo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 133 BPM | ||
Donna, quando pietosa / El travagliato / La gamba in basso e soprano / Amor è foco e ghiaccio | Jacques Arcadelt, Vincenzo Ruffo, Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken | E♭ Minor | 0 | 2A | 82 BPM | ||
Fantasia-Suite No. 8 in D Major: I. Fantazia | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM | ||
Suite in D Minor: V. Les derniers paroles | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM |