"Der fur die Sunde der Welt gemartete und sterbende Jesus, "Brockes Passion", HWV 48: Aria: Meine Laster sind die Stricke (Daughter of Zion)" by George Frideric Handel, Martin Kleitmann, Istvan Gati, Mária Zádori, Katalin Farkas, Guy De Mey, Gunther Burzynski, Drew Minter, Eva Bartfai-Barta, Peter Bajan, Tamas Csanyi, Éva Lax, Janos Bandi, Stadtsingechor zu Halle, Capella Savaria, Nicholas McGegan was released on July 15, 2014. The duration of Der fur die Sunde der Welt gemartete und sterbende Jesus, "Brockes Passion", HWV 48: Aria: Meine Laster sind die Stricke (Daughter of Zion) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Der fur die Sunde der Welt gemartete und sterbende Jesus, "Brockes Passion", HWV 48: Aria: Meine Laster sind die Stricke (Daughter of Zion)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Martin Kleitmann, Nicholas McGegan's "Handel: Brockes Passion, Hwv 48" album is number 9 out of 107. On top of that, Hungary appears to be the country where this track was created. Der fur die Sunde der Welt gemartete und sterbende Jesus, "Brockes Passion", HWV 48: Aria: Meine Laster sind die Stricke (Daughter of Zion) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der fur die Sunde der Welt gemartete und sterbende Jesus, "Brockes Passion", HWV 48: Aria: Meine Laster sind die Stricke (Daughter of Zion) by George Frideric Handel, Martin Kleitmann, Istvan Gati, Mária Zádori, Katalin Farkas, Guy De Mey, Gunther Burzynski, Drew Minter, Eva Bartfai-Barta, Peter Bajan, Tamas Csanyi, Éva Lax, Janos Bandi, Stadtsingechor zu Halle, Capella Savaria, Nicholas McGegan to be Larghetto (rather broadly) because the track has a tempo of 61 テンポ, a half-time of 30テンポ, and a double-time of 122 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Minor | 0 | 12A | 106 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Serenata notturna in D Major, K. 239: III. Rondeau (Allegretto - Adagio - Allegro) | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM |