Orlando Gibbons, Fretwork's 'Fantasia in 3 parts for the 'Great Dooble Base' (MB 48 No. 19)' came out on 1989. With this song being about 5 minutes long, at 4:41, "Fantasia in 3 parts for the 'Great Dooble Base' (MB 48 No. 19)" by Orlando Gibbons, Fretwork is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Orlando Gibbons - Fantasias and Cries". In this album, this song's track order is #14. Fantasia in 3 parts for the 'Great Dooble Base' (MB 48 No. 19) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasia in 3 parts for the 'Great Dooble Base' (MB 48 No. 19) by Orlando Gibbons, Fretwork having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Versicle/Response: Deus in adjutorium/Domine in adiuvandum | Claudio Monteverdi, Choir Of The Enlightenment, Eamonn Dougan, Robert Howarth, Orchestra of the Age of Enlightenment | E♭ Major | 1 | 5B | 82 BPM | ||
The Second Service (Morning): Te Deum | Orlando Gibbons, Fretwork, The Choir of Magdalen College, Oxford, Peter Harvey, Rogers Covey-Crump, Bill Ives | A♭ Minor | 1 | 1A | 85 BPM | ||
Quarto libro de madrigali: Io me son giovinetta, SV 86 | Claudio Monteverdi, Joseph Cornwell, Consort Of Musicke, Anthony Rooley | B♭ Major | 1 | 6B | 85 BPM | ||
See, see, the word is Incarnate | Orlando Gibbons, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | E♭ Minor | 2 | 2A | 132 BPM | ||
Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM | ||
Requiem canticorum: Alleluia | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 0 | 7B | 63 BPM | ||
Tristis Est Anima Mea | Johann Kuhnau | F Minor | 1 | 4A | 134 BPM |