"Hamlet Op. 32 - 1932 Production - Act II - i. The actors' arrival; ii. Exit of P" by City Of Birmingham Symphony Orchestra, Sir Mark Elder was released on June 28, 2005. With Hamlet Op. 32 - 1932 Production - Act II - i. The actors' arrival; ii. Exit of P being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #7. Based on our statistics, Hamlet Op. 32 - 1932 Production - Act II - i. The actors' arrival; ii. Exit of P's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Hamlet Op. 32 - 1932 Production - Act II - i. The actors' arrival; ii. Exit of P by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a テンポ of 146 with a half-time of 73 テンポ and a double-time of 292 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D Minor | 1 | 7A | 75 BPM | ||
Hamlet Op. 32 - 1932 Production - Act III - i. "And thou shalt live…."; ii. "Nor | City Of Birmingham Symphony Orchestra, Sir Mark Elder | D♭ Major | 0 | 3B | 70 BPM | ||
On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 22, Air. "Now Heaven in Fullest Glory Shone" (Raphael) | Joseph Haydn, David Thomas/City of Birmingham Symphony Orchestra/Sir Simon Rattle, David Thomas, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Saint-Saëns: Le Carnaval des animaux: XIV. Final | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | C Major | 3 | 8B | 95 BPM | ||
Grieg: Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | E Major | 5 | 12B | 85 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM |