"Figure humaine - La bonne neige" by Laurence Equilbey, Accentus, Francis Poulenc was released on March 20, 2001. With Figure humaine - La bonne neige being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Poulenc: Figure Humaine". In this album, this song's track order is #17. In terms of popularity, Figure humaine - La bonne neige is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Figure humaine - La bonne neige by Laurence Equilbey, Accentus, Francis Poulenc having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Figure humaine - Le jour m'étonne et la nuit me fait peur | Laurence Equilbey, Accentus, Francis Poulenc | A Major | 0 | 11B | 79 BPM | ||
Figure humaine - Liberté | Laurence Equilbey, Accentus, Francis Poulenc | A♭ Minor | 1 | 1A | 72 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act I / Scene 1: Coro: "Ah, se intorno a quest'urna funestra" - Live | Christoph Willibald Gluck, Franco Fagioli, Accentus, Insula Orchestra, Laurence Equilbey | C Minor | 2 | 5A | 76 BPM | ||
4 Motets Pour Un Temps De Pénitence: Timor Et Tremor | Francis Poulenc, Ensemble Accentus, Laurence Equilbey | E Minor | 0 | 9A | 87 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Mass in B Minor, BWV 232: Agnus Dei (Alto) | Johann Sebastian Bach, Meg Bragle, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 1 | 5B | 126 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM |