"Angelus Novus: Angela Nova: IV. —" by Claus-Steffen Mahnkopf, Monika Meier-Schmid, Ensemble SurPlus, JAMES AVERY was released on August 1, 2013. With this song being about 5 minutes long, at 5:27, "Angelus Novus: Angela Nova: IV. —" by Claus-Steffen Mahnkopf, Monika Meier-Schmid, Ensemble SurPlus, JAMES AVERY is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Claus-Steffen Mahnkopf, JAMES AVERY's "Mahnkopf: Angelus Novus Cycle" album is number 4 out of 15. In terms of popularity, Angelus Novus: Angela Nova: IV. — is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Angelus Novus: Angela Nova: IV. — by Claus-Steffen Mahnkopf, Monika Meier-Schmid, Ensemble SurPlus, JAMES AVERY to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Uaxuctum: III. — | Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 85 BPM | ||
Lindberg: Mandrake in the Corner: II Lento I | Christian Lindberg, ADDA Simfònica | G Major | 0 | 9B | 63 BPM | ||
Shaker Loops: II. Hymning Slews | John Adams, Oxalys | A Major | 0 | 11B | 61 BPM | ||
Arlequin | Louis Cahuzac, Guy Dangain | F Major | 0 | 7B | 101 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: II. First Decoy Game | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) | RTÉ National Symphony Orchestra, Havergal Brian | F Minor | 0 | 4A | 85 BPM | ||
Four Orchestral Songs, Op. 1: No. 1, Geiß und Schleiche | Hans Krása, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: III. Second Decoy Game | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Bourrée fantasque (Arr. for Violin and Orchestra by Thibault Perrine) | Emmanuel Chabrier, Alexandra Soumm, Orchestre de chambre Pélléas, Benjamin Lévy | C Major | 2 | 8B | 113 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM |