Mario Castelnuovo-Tedesco, Norbert Kraft made "Platero y yo, Op. 190: I. Platero" available on July 1, 1990. The duration of Platero y yo, Op. 190: I. Platero is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Platero y yo, Op. 190: I. Platero's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Norbert Kraft Plays Spanish and South American Works for Guitar". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Platero y yo, Op. 190: I. Platero is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Platero y yo, Op. 190: I. Platero by Mario Castelnuovo-Tedesco, Norbert Kraft having a テンポ of 102 with a half-time of 51 テンポ and a double-time of 204 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Départ, Op. 31: Fantaisie dramatique | Napoléon Coste, Alexandra Whittingham | E Minor | 2 | 9A | 82 BPM | ||
Bolero in A Minor | Julian Arcas, Andrea González Caballero | A Minor | 0 | 8A | 83 BPM | ||
Uma Valsa E Dois Amores | Dilermando Reis, Xuefei Yang | E Major | 1 | 12B | 80 BPM | ||
Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba" (arr. J. Dearman) | George Frideric Handel, John Dearman, Los Angeles Guitar Quartet | E Major | 2 | 12B | 107 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 88 BPM | ||
Sonata D Major, Op. 61: 1. Allegro | Joaquin Turina, Klaus Jäckle | G Major | 1 | 9B | 76 BPM | ||
Recife dos Corais | Sergio Assad, Marc Regnier, Marco Sartor | A Major | 1 | 11B | 100 BPM | ||
Estudio de trémolo | Joaquin Clerch, Andrea González Caballero | A Minor | 1 | 8A | 89 BPM | ||
The Girl With The Flaxen Hair | Marshall (Arr.), Claude Debussy, Christopher Parkening | E Minor | 0 | 9A | 87 BPM | ||
Carcassi op.60 n.2 moderato con espressivo | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 105 BPM |