"Sospiri, Op.70 - Adagio For Strings, Harp And Organ, Op.70" by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner was released on December 20, 2001. Sospiri, Op.70 - Adagio For Strings, Harp And Organ, Op.70 is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The song is number 3 out of 18 in Elgar: In the South; Enigma Variations by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner. Sospiri, Op.70 - Adagio For Strings, Harp And Organ, Op.70 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sospiri, Op.70 - Adagio For Strings, Harp And Organ, Op.70 by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner is Lento (slowly), since this song has a tempo of 52 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Symphony No. 7 in A major, Op. 92: II. Allegretto | Nicolaus Esterhazy Sinfonia | E Minor | 0 | 9A | 143 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 0 | 8A | 125 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
La Capricieuse, Op. 17 | Edward Elgar, Marat Bisengaliev, Benjamin Frith | E Major | 0 | 12B | 98 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 4: Liebst du um Schönheit | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | D♭ Major | 0 | 3B | 91 BPM | ||
Música Callada III | Federico Mompou, Javier Perianes | B♭ Major | 0 | 6B | 74 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Friedenswerke - Live | Richard Strauss, Wiener Philharmoniker, Zubin Mehta | D Major | 1 | 10B | 93 BPM | ||
Cello Concerto, Op. 85 in E Minor: I. Adagio - Moderato | Edward Elgar, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | E Minor | 1 | 9A | 108 BPM |