Carl Hall's 'I Don't Wanna Be (Your Used to Be)' came out on May 19, 2023. The duration of I Don't Wanna Be (Your Used to Be) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. I Don't Wanna Be (Your Used to Be)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of You Don't Know Nothing About Love: The Loma/Atlantic Recordings 1967-1972 by Carl Hall. The song's track number on the album is #7 out of 19 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, I Don't Wanna Be (Your Used to Be)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since I Don't Wanna Be (Your Used to Be) by Carl Hall has a tempo of 153 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With I Don't Wanna Be (Your Used to Be) being at 153 テンポ, the half-time would be 76 テンポ with a double-time of 306 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
After The Laughter (Here Come The Tears) | Gene Chandler | C Minor | 8 | 5A | 126 BPM | ||
Both Ends Against the Middle | Jackie Moore | A Minor | 8 | 8A | 134 BPM | ||
Pick Up The Pieces | Jean Knight | D Major | 4 | 10B | 111 BPM | ||
Slip Away | Tyrone Davis | D♭ Major | 6 | 3B | 117 BPM | ||
Keep on Talking | James Barnett | D♭ Major | 5 | 3B | 79 BPM | ||
New Breed Kinda Woman | Holland-Dozier, Lamont Dozier | B♭ Minor | 9 | 3A | 121 BPM | ||
Street Sermon | Carl Hall | D♭ Major | 2 | 3B | 125 BPM | ||
Bed Of Roses | Judy Clay | D Minor | 4 | 7A | 117 BPM | ||
Heartaches Away My Boy | Christine Cooper | C Major | 8 | 8B | 129 BPM | ||
Let Love Come Between Us | James & Bobby Purify | A Major | 5 | 11B | 137 BPM |