"Cosi Fan Tutte: Despina: In uomini in soldati Cosi fan tutte" by Capella Istropolitana was released on 1998. The duration of Cosi Fan Tutte: Despina: In uomini in soldati Cosi fan tutte is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Cosi Fan Tutte: Despina: In uomini in soldati Cosi fan tutte's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Magic Flute (Zauberflöte); The Marriage Of Figaro (Die Hochzeit des Figaro); Iomeneo - Cosi Fan Tutte". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. Cosi Fan Tutte: Despina: In uomini in soldati Cosi fan tutte is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Cosi Fan Tutte: Despina: In uomini in soldati Cosi fan tutte by Capella Istropolitana having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In G Minor, Op. 3, No. 2, RV 578: I. Adagio E Spiccato - Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Concerti grossi, Op. 6, Concerto Grosso No. 3 in E Minor, HWV 321: IV. Polonaise | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Major | 1 | 2B | 98 BPM | ||
Concerto Grosso in D Minor, Op. 3, No. 5: IV. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 108 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Chanson de Matin, Op.15, No.2 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Major | 1 | 9B | 89 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM |