"Rhapsody on a Theme of Paganini, Op. 43: Var. 7. Meno mosso, a tempo moderato" by Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel was released on September 1, 2023. With Rhapsody on a Theme of Paganini, Op. 43: Var. 7. Meno mosso, a tempo moderato being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Rachmaninoff: The Piano Concertos & Paganini Rhapsody". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. In terms of popularity, Rhapsody on a Theme of Paganini, Op. 43: Var. 7. Meno mosso, a tempo moderato is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody on a Theme of Paganini, Op. 43: Var. 7. Meno mosso, a tempo moderato by Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyrische Stücke Op. 62 (Band/Volume VII): Tak/Dank/Gratitude | Edvard Grieg, Gerhard Oppitz | B Minor | 0 | 10A | 71 BPM | ||
Fandango: III. Fandanguito | Arturo Márquez, Los Angeles Philharmonic, Gustavo Dudamel, Anne Akiko Meyers | D Major | 5 | 10B | 68 BPM | ||
13 Pieces, Op. 76: No. 6 Romanzetta | Jean Sibelius, Håvard Gimse | B Major | 0 | 1B | 74 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
12 Monferrinas, Op. 49: III. Allegretto con espressione | Muzio Clementi, Howard Shelley | A♭ Major | 0 | 4B | 72 BPM | ||
Sonatina in G Major, Op. 36 No. 2: II. Allegretto | Muzio Clementi, Howard Shelley | E Minor | 1 | 9A | 104 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Tik-Tak Polka, Polka schnell, Op. 365 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | A Major | 6 | 11B | 90 BPM | ||
Adès: Dante, Pt. II "Purgatorio": I. Dawn on the Sea of Purgatory— | Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | C Minor | 2 | 5A | 85 BPM |