"Concerto Grosso 1985: I. Maestoso" by Ellen Taaffe Zwilich, Philip Smith, Zubin Mehta, New York Philharmonic was released on January 1, 1989. The duration of Concerto Grosso 1985: I. Maestoso is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Concerto Grosso 1985: I. Maestoso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 13 in Ellen Taaffe Zwilich: Concerto Grosso/Trumpet Cto/Symbolon/Double Quartet by Ellen Taaffe Zwilich, Philip Smith, Zubin Mehta, New York Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Concerto Grosso 1985: I. Maestoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Grosso 1985: I. Maestoso by Ellen Taaffe Zwilich, Philip Smith, Zubin Mehta, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
First Movement Molto Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 2 | 10B | 74 BPM | ||
Peanuts Gallery: VI. Peppermint Patty and Marcie Lead the Parade | Ellen Taaffe Zwilich, Jeffrey Biegel, Florida State University Symphony Orchestra, Alexander Jimenez | F Major | 3 | 7B | 139 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): X. The Princess Notices the Puppet | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Summer Night - Suite from 'The Duenna', Op. 123: 4. Dream | Bournemouth Symphony Orchestra, Paavo Berglund | F Major | 1 | 7B | 67 BPM | ||
Concerto for Cello & Orchestra: I. — | Ellen Taaffe Zwilich, Zuill Bailey, Francesco Lecce-Chong, Santa Rosa Symphony | C Major | 2 | 8B | 94 BPM | ||
Oboe Quartet: II. | Ellen Taaffe Zwilich, Jared Hauser, Cornelia Heard, John Kochanowski, Felix Wang | G Major | 3 | 9B | 134 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, Sir Neville Marriner, Minnesota Orchestra | G Major | 3 | 9B | 82 BPM | ||
Concert Suite from the opera 'The Golden Cockerel': I. Introduction and Dodon's sleep | Bournemouth Symphony Orchestra, Paavo Berglund | D♭ Major | 1 | 3B | 91 BPM | ||
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM |