"Musica Universalis" by Alex Baranowski, Daniel Hope, Chie Peters, Jacques Ammon, Deutsches Kammerorchester Berlin was released on January 1, 2013. The duration of Musica Universalis is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Musica Universalis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Spheres - Einaudi, Glass, Nyman, Pärt, Richter". In this album, this song's track order is #8. Musica Universalis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Musica Universalis by Alex Baranowski, Daniel Hope, Chie Peters, Jacques Ammon, Deutsches Kammerorchester Berlin having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notre envol, Duo for Piano & Violin | Raphaël Novarina, Anastasiia mazurok, Emiko Edwards | C Minor | 2 | 5A | 173 BPM | ||
Cello Sonata No. 4, Op. 102/1: I. Andante - Allegro vivace | Eckart Runge, Jacques Ammon | C Major | 1 | 8B | 75 BPM | ||
Trois Gymnopédies: lll. "Lent et grave" | Erik Satie, Peter Dickinson | A Minor | 0 | 8A | 78 BPM | ||
Dessner: Song for Octave | Bryce Dessner, Bertrand Chamayou | E♭ Major | 1 | 5B | 133 BPM | ||
Modern Times: Smile (arr. for cello and piano) | Charlie Chaplin, Eckart Runge, Jacques Ammon | B♭ Major | 0 | 6B | 103 BPM | ||
Piece in D Minor, WK 205. Arpeggio - No. 20 from "27 Pieces for Bass Viol - The Drexel Manuscript 5871" | Carl Friedrich Abel, Philippe Pierlot | D♭ Minor | 0 | 12A | 107 BPM | ||
Berlin By Overnight | Max Richter, Daniel Hope, Jochen Carls | A Minor | 2 | 8A | 96 BPM | ||
Raymonda, Op. 57: Prélude et la Romanesca | Alexander Glazunov, Xavier De Maistre, Nathalie Stutzmann, WDR Sinfonieorchester | E Minor | 3 | 9A | 104 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | A♭ Major | 0 | 4B | 72 BPM | ||
Transit of Venus | Joby Talbot, Christopher Austin, Royal Liverpool Philharmonic Orchestra | G Minor | 0 | 6A | 164 BPM |