"Ionisation" by Edgard Varèse, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 2001. Ionisation is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. This song is part of Varése: Amériques; Arcana; Déserts; Ionisation by Edgard Varèse, Chicago Symphony Orchestra, Pierre Boulez. The song's track number on the album is #4 out of 4 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Ionisation's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Ionisation by Edgard Varèse, Chicago Symphony Orchestra, Pierre Boulez has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Ionisation being at 131 テンポ, the half-time would be 66 テンポ with a double-time of 262 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adams: Nixon in China: Act I, Scene 1 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | A Minor | 0 | 8A | 105 BPM | ||
Offrandes: 2. La croix du sud (poem by José Juan Tablada) | Edgard Varèse, Sarah Leonard, Asko Ensemble, Riccardo Chailly | E Minor | 1 | 9A | 105 BPM | ||
Mythologies: I. Aurora | Eleanor Alberga, BBC Symphony Orchestra, Thomas Kemp | C Major | 1 | 8B | 62 BPM | ||
Violin Concerto: I. Praeludium | György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu | C Major | 1 | 8B | 138 BPM | ||
Threnody to the Victims of Hiroshima | Krzysztof Penderecki, Cracow Philharmonic Orchestra, Wojciech Czepiel | F Major | 3 | 7B | 58 BPM | ||
Mégalithes, Version 3: VI. 120 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Major | 0 | 11B | 93 BPM | ||
Piece en forme de habanera: Vocalise-etude en forme de habanera (Arr. For theremin and piano) | Maurice Ravel, Clara Rockmore, Nadia Reisenberg | G Minor | 0 | 6A | 101 BPM | ||
Nocturnal | Edgard Varèse, Elisabeth Watts, Camerata Silesia, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | D♭ Major | 2 | 3B | 63 BPM | ||
Jeux vénitiens, Pt. 1 | Witold Lutosławski, Finnish Radio Symphony Orchestra, Hannu Lintu | F♯ Minor | 1 | 11A | 123 BPM | ||
Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A♭ Major | 0 | 4B | 103 BPM |