Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko made "The Sleeping Beauty, Op. 66 : Act III, No.22 Polacca (Polonaise)" available on January 1, 2012. With this song being about 5 minutes long, at 4:51, "The Sleeping Beauty, Op. 66 : Act III, No.22 Polacca (Polonaise)" by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "The Sleeping Beauty (excerpts from the Ballet)". In this album, this song's track order is #19. In terms of popularity, The Sleeping Beauty, Op. 66 : Act III, No.22 Polacca (Polonaise) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Sleeping Beauty, Op. 66 : Act III, No.22 Polacca (Polonaise) by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polonaise No. 5 in F-Sharp Minor, Op. 44 | Frédéric Chopin, Rafał Blechacz | F Minor | 4 | 4A | 107 BPM | ||
Bridal Procession, Op. 19 No. 2 | Edvard Grieg, Yuri Temirkanov | A♭ Major | 0 | 4B | 72 BPM | ||
La fille mal gardée / Act 1: 1. Intro 2. Dance 3. Lise And The Ribbon | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 126 BPM | ||
Grieg: Holberg Suite, Op. 40: IV. Air (Piano Version) | Edvard Grieg, Cyprien Katsaris | G Minor | 0 | 6A | 75 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 0 | 11B | 69 BPM | ||
Le Corsaire: Pas de deux (arr. J. Lanchberry): IV. Coda | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 128 BPM | ||
Czech Suite, Op. 39, B. 93: V. Finale (Furiant) | Antonín Dvořák, Polish National Radio Symphony Orchestra, Antoni Wit | D Major | 0 | 10B | 87 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Keyboard Concerto No.4 in A major, BWV 1055 : I. Allegro | Lithuanian Chamber Orchestra, Julius Geniu?as, Albina ?ik?ni?t? | B Major | 3 | 1B | 131 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM |