"Psalm 10 "Why Standest Thou So Far Off, O Lord"" by Robert Ashfield, Percy C. Buck, Rochester Cathedral Choir, Roger Sayer, Barry Ferguson was released on January 10, 1993. Psalm 10 "Why Standest Thou So Far Off, O Lord" is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Psalms of David, Vol. 9: Hear My Voice O God". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Psalm 10 "Why Standest Thou So Far Off, O Lord" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 10 "Why Standest Thou So Far Off, O Lord" by Robert Ashfield, Percy C. Buck, Rochester Cathedral Choir, Roger Sayer, Barry Ferguson having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wem In Leidenstagen "Glory Be to Jesus" | Friedrich Filitz, York Minster Choir, John Scott Whiteley, Philip Moore | G Major | 1 | 9B | 105 BPM | ||
Dixit Maria | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 106 BPM | ||
Ecce pulcra | Gregorian Chant, Schola Solensis, Halvor J. Østtveit | D Major | 6 | 10B | 86 BPM | ||
グレゴリオ聖歌による4つのモテット作品10よりトータ・プルクラ・エス御身はすべてが美しくあり給う Quatre Motets sur des thémes grégoriens, Op. 10 II. Tota pulchra es | Girl Choristers, Sarah Baldock Conductor, Lay Clerks of Winchester Cathedral | G Minor | 0 | 6A | 64 BPM | ||
Annelies (chamber version): IV. The last night at home and arrival at the Annexe | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | D Minor | 1 | 7A | 71 BPM | ||
Ave Verum, Op. 65, No. 1 | San Francisco Girls Chorus | B♭ Minor | 0 | 3A | 78 BPM | ||
Psalm 16 "Preserve Me, O God" | Charles Hylton Stewart, Rochester Cathedral Choir, Roger Sayer, Barry Ferguson | B Minor | 9 | 10A | 170 BPM | ||
I Need Thee | Amsterdam Staff Songsters of the Salvation Army | G Major | 0 | 9B | 68 BPM | ||
Lay a Garland | Robert Lucas Pearsall, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 2 | 5B | 80 BPM | ||
The race that long in darkness pined | St Edmundsbury Cathedral Choir, Scott Farrell | E♭ Major | 0 | 5B | 83 BPM |