"Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Missetaten, die mich drucken (Soprano, Alto)" by Johann Sebastian Bach, Céline Scheen, Damien Guillon, Le Banquet Céleste was released on February 26, 2016. The duration of Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Missetaten, die mich drucken (Soprano, Alto) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Missetaten, die mich drucken (Soprano, Alto)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 23 in Bach: Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater) - Vivaldi: Nisi Dominus, RV 608 by Céline Scheen, Damien Guillon, Le Banquet Céleste. In terms of popularity, Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Missetaten, die mich drucken (Soprano, Alto) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Missetaten, die mich drucken (Soprano, Alto) by Johann Sebastian Bach, Céline Scheen, Damien Guillon, Le Banquet Céleste is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | B Major | 4 | 1B | 87 BPM | ||
Te deum, LWV 55: IV. Patrem immensae majestatis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Messa della Madonna: Recercar con obligo di Cantare la Quinta parte senza Tocarla | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Matthäuspassion, BWV 244: Er antwortete und sprach (Evangelist, Jesus, Judas) | Johann Sebastian Bach, Locky Chung, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl | B Minor | 2 | 10A | 103 BPM | ||
Languet anima mea BWV deest 1006: V. Alleluja | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | D♭ Minor | 2 | 12A | 120 BPM | ||
Missa S. Marcellini: VI. Domine Deus - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | B♭ Minor | 1 | 3A | 77 BPM | ||
Exultate in Deo fideles: No. 2, Haec sunt munera divina | Rinaldo Alessandrini, Concerto Italiano, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Johannes-Passion, BWV 245.1: 12. Recitativo: Und Hannas sandte ihn gebunden | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Jannes Arndt, Ha Dong Lee | F Minor | 2 | 4A | 34 BPM | ||
Jauchzet dem Herrn, alle Welt, BWV 160 Anh. & TWV 8:10; 1:1066: III. Lob und Ehre (Coro) | Johann Sebastian Bach, Ensemble BachWerkVokal, Gordon Safari | B Major | 2 | 1B | 177 BPM | ||
Markuspassion: I. Jesus Christus ist um unser Missetat willen | Reinhard Keiser, Ensemble Jacques Moderne, Thomas E. Bauer, Gli Incogniti, Amandine Beyer, Jan Kobow, Joël Suhubiette | F♯ Minor | 2 | 11A | 72 BPM |